The journey gone and the journey to come by Aaron Jones

The journey gone and the journey to come

by Aaron Jones

This piece represents our life's path to this point, with its many twists and turns, and the sprouting of new possibilities on the path ahead, the life yet to be lived.

Comments on the Dalchem Prize:

Aaron’s sculpture elegantly conveys a clear message. What we liked most was the artistic choice to immortalise an image of impermanency and change in all things in bronze.

The sculpture demonstrates tremendous technical skill that is not easily duplicated and we commend Aaron for being ambitious with his mediums and pushing the limits of these materials.

We congratulate Aaron, and look forward to seeing more pieces from him in the future.

Kind regards,

Ryan M. Campbell l Technical Sales Manager

The journey gone and the journey to come is categorised under:

Sculpture details

Media	Bronze cast from Snowgum and Redgum bark, found eucalyptus (type unknown)
Dimensions	59h x 28w x 22d cm
Weight	8 kg
Year Created	2024
Edition	Unique
Techincal Support	Bronze casting and metal work - Mike Ingram (Mal Wood Foundry)
Last Updated	10/05/2026 15:09:58

Exhibited in

2025 Annual & Awards Exhibition

Prizes won

Dalchem Prize at 2025 Annual & Awards Exhibition

We strongly encourage online buyers to contact one of the exhibition coordinators or a sitter if you are physically present at the Show, to help clarify any queries prior to buying. If you haven't done it yet, please feel free to contact us using our Enquiry Form.

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Basic pre-purchase information

Please feel free to contact us using our Enquiry Form.

You probably have questions about a work that you are considering buying. Here we have a checklist of items that might help. We also suggest that you approach exhibition staff or email the exhibition coordinator using the form below to resolve any uncertainties.

Purchased work will be available for collection from the exhibition between 7:00pm-8pm Sunday 29th March or before 12 MD Monday 30th March 2026.
or you can arrange with the artist for delivery. Costs may be involved with delivery - for example if distances are excessive and/or specialist services are involved.
If you are collecting your work from the exhibition, please bring your sales documentation with you.
When purchasing work it is advisable to check whether there are maintenance or installation requirements.
White plinths are generally the property of the artist and do not form part of the sale. If there is a plinth that goes with the work please check that it does indeed form part of the sold work so that you know how you can display the work.
Where work is listed as unique it means the artist made only one of the sculptures, where there is an edition number it means that the process of creation involved a mould or pattern such that the work could be repeated. The first number in the edition record refers to the number of times the work has already been produced, the second number refers to the maximum number of times this will be done.
Part of the sales documentation involves the purchaser acknowledging the artist's moral rights. These rights include respecting the artist’s rights in the work - acknowledging their authorship, not damaging the work and not reproducing the work without express permission such as a copyright agreement.

Already contacted the ASV and are ready to buy?